Aeneas and Dido was a very
interesting opera. It was about a Queen who ruled the city of Carthage. Her
husband passed away and Dido vowed to never marry another man for the rest of
her life. Dido ends up falling in love with Aeneas. The witches intervened between
Dido and Aeneas and disguised one of them as Mercurius. They then announce Zeus
has made the decision that Aeneas will set sail for Italy immediately. Aeneas
fulfills his duty and leaves to Italy. Dido then dies. That was everything that
I discovered while watching Aeneas and Dido. Another thing that I discovered is
that opera is not just a bunch of people screaming and singing very loudly. If
you really pay attention it tells a story but in a very beautiful way. The
elegancy of the singing and movements throughout the opera were a lot more
powerful compared to a regular play. While paying attention, the story was so
easy to pick up and I was not lost at all.
The
“mise en scene” was quite interesting. The stage changed a lot. They were in
what seemed to be a bedroom when the play began. They were then in a banquet
room welcoming Aeneas. The opera shifted to the woods where the witches were
casting spells and disguised one of them as Mercurius. The play then shifted to
a scene where Aeneas and Dido were laying together in an open area. In regards
to the arrangement of scenery, it flowed extremely well. The scenery was not
all over the place. Each place that the characters were, was very important and
made a lot of sense.
A
setting that stood out the most to me was when the witches were disguising one
of themselves to be Mercurius. I immediately knew that they were witches based
on their clothing and the spooky aura of the woods. The mist that was in the
air and the full moon gave it a chilling vibe. The way the witches were singing
was also extremely creepy. My favorite part was seeing Mercurius walking and
floating above the water. His blue skin was awesome and he actually looked like
he was some type of super natural being. That part of the opera was easily the
best part in regards to the stage and the usage of technology. Production
really capitalized on the opportunity to portray the witches and Mercurius.
I
think that the audiences were definitely extremely pleased with the performance
of all the actors. Everything was well put together, the story made sense and
everyone had to be content with the execution of the opera. All of the
characters were good looking people. The singing was great and the scenery was
on point. The audiences most likely could have been creeped out by the witches
and Mercurius rising from the sea. That was probably what grabbed the audiences
attention. Once that part came by I was locked into the opera.
This
piece is important in the chronology of Opera because the advancement in
technology really showed. Previous opera’s most likely did not have a blue
human like figure rise from the water and walk on water. Opera is usually
traditional and does not have a lot of advancement in technology. It’s a
natural thing when it comes to opera so there is not much of video enhancements
or any technology based stages. Again, when Mercurius rose from the sea.
If
I could make this into a video game it would be very similar to Assassin’s
Creed. I would have someone who goes back and time and tries to fix the
timeline. In a sense the person who is back in time would have to fight
enemies. There would be an army of witches who know that someone is going back
in time to stop them from fooling Aeneas and allowing him to stay with Dido. The
character learns skills and techniques in order to fight off the army of
witches and save the love between Aeneas and Dido. If the game is not required
to have the same characters, I would have Mercurius have powers that witches
cursed him with in order for the difficulty of the game to be a little
challenging. Mercurius would be the final boss of the video and once you defeat
him you can be able to freelance the lands and exterminate all of the witches
that exist around the world. By making witches extinct, it will prevent anyone
from being fooled out of love ever again.
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